In 1993 (more or less), I became interested to read it due to the connection to the band named after the book. Morrison has reported the group liked the name, considering it evocative of "underground cinema," and fitting, due to Reed's already having written "Venus in Furs", inspired by Leopold v This is really a PG-13 exploration of B&D and other nonmainstream sexual antics in the US in the 1960s. (Lou Reed and Sterling Morrison's friend, filmmaker Tony Conrad, found a copy lying in the street. This is really a PG-13 exploration of B&D and other nonmainstream sexual antics in the US in the 1960s.
How's that for morality? But the best (and by best I mean worst) part of this whole 'study' is the complete lack of legitimate supporting evidence or research methodology, which leaves you wondering whether, perhaps, Leigh just made the whole thing up.more In a late chapter detailing the 'indecent' (to use the author's favorite word) sexual indulgences of collegiate beach-going spring-breakers, he favorably quotes a police officer as saying, "It's an ironic commentary on morals that we've yet to log our first rape complaint." So, in Leigh's world, he'd rather have college girls getting raped left, right, and center than engaging in consensual sex.
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And despite all his moralizing, his own moral code is patently appalling. He openly admits that he " no claim to being an expert on the subject of sexology" and insists that his purpose is "not to draw conclusions," but then comes out with such wonderful one-liners as "these sexual anarchists conspire against us all, against our society and good and well-being." What's truly ironic though is that instead of convincing the reader that America is full of sexual perverts, Leigh only succeeds in convincing the reader that he himself is a bit of a pervert: all he does throughout the book is catalog other people's sexcapades, not without a certain degree of voyeuristic glee (it's worth noting that he feels a need to pass judgement on the physical attractiveness of every female 'subject' he encounters in the process). Leigh is a misogynist, a homophobe, and a blind pearl-clutching traditionalist of the worst order. He openly admits that he " no claim to being an expert on the subject of sexology" and insists that his purpose is "not to draw conclusions," but then comes out with such wonderful one-liners as "these sexual anarchists conspire against us all, against our society and This book is not 'good' by any definition, but as a cultural artifact it's equal parts disturbing and gut-bustingly hilarious. This book is not 'good' by any definition, but as a cultural artifact it's equal parts disturbing and gut-bustingly hilarious. Including a conversation recorded especially for the book between founding members Lou Reed and Maureen Tucker, this beautifully illustrated book is the first to present a definitive picture of the band’s genesis and development in the extraordinary New York scene of the mid- to late-1960s.more
From never-before-seen photographs of the band’s first live show in New York to Andy Warhol’s cover and poster designs, Lou Reed’s handwritten music and lyrics, underground press clippings and controversial reviews, flyers, handbills, and posters, the materials here comprise a uniquely comprehensive survey of the first rock group ever to transcend the genre and embrace underground popular culture. The Velvet Underground is an astonishing assembly of rare objects and artworks and the first book of its scale to document the formative years of the band Time Out magazine named the greatest New York musicians of all time. From never-before-seen photographs of the band’s first live show in New York to Andy Warhol’s cover and poster designs, Lou Reed’s handwritten music an
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